主演：思漩,厉娜,张靖宜,戚九洲,纪焕博,刘学义
导演：邓科
简介：美貌与智慧集于一身的情感专家倪美云，因被男友抛弃而受重创，事业惨遭滑铁卢；单纯可爱的萌妹小紫也因为性格原因与男友分手，伤感失落；游戏宅女波波整日对着电脑和二次元，对感情视为无物。三姐妹痛定思痛，反省后惊觉一定不要做男人的初恋女友，从此踏上了寻找成熟、魅力、恋爱经验丰富的优质男性的不归路。是身材一流的健身教练，是事业有成的黄金单身汉，是兴趣爱好相投彼此了解的好哥们儿，还是见面就掐的死对头？型男出没，美女，请接招！
主演：户田惠梨香,平冈佑太,黄川田将也,秋田真琴
导演：石井贵英
简介：美丽女孩松下羽月（户田惠梨香 饰）是在某文具公司入职才满一年的职场新人，工作虽然紧张忙碌，但是做着一份自己喜欢的工作总归还有一份期待在里面，当然她的牢骚不满也与日俱增。羽月正在交往的男朋友高野悟（平冈佑太 饰）是大学二年级时候确立关系的同学，然而因为留级的关系高野还在大学混日子。社会身份截然不同让他们渐行渐远，彼此的心理上也进入了如同远距离恋爱般的倦怠期。在此期间，羽月偶然邂逅了某知名出版社的编辑安田健介（黄川田将也 饰）。和高野迥异的谈吐与气质让羽月渐渐对其产生了好感。转眼到了情人节，羽月收到了不同寻常的礼物……
主演：石井马克,东山奈央,小松未可子,樱井孝宏,小仓唯
导演：山元隼一
简介：アニメ「おとなの防具屋さん」の新作オリジナルストーリーが、dアニメストアで独占配信されることが決定した。GANMA!で連載中の4コマを原作とした「おとなの防具屋さん」。剣と魔法のファンタジー世界を舞台に、女性冒険者用の際どい装備ばかりを扱うユニークな防具屋が描かれる。アニメは第1期が2018年10月より放送され、石井マーク、東山奈央、櫻井孝宏といった面々が出演した。新作ストーリーはアニメの“裏面”と銘打たれ、全3話にて展開。第1話は3月6日、第2話は3月13日、第3話は3月20日に配信される。また既存キャストに加え、エミナ役として小倉唯が参加することも発表された。
主演：博胡什·扎霍尔斯基,Svatava,Hubeňáková
导演：伊日·门泽尔
简介：In beautiful sunny afternoon in Prague, a man of a certain age discusses his love of Provence. Suddenly, a black flag is suspended. The composer Foerster died.Graduation film of director Jirí Menzel.
主演：周润发,刘嘉玲,吴孟达,汤镇业,吕良伟,刘江,叶德娴,Deannie,Yip
导演：tvb
简介：[TVB][幻海奇情.花瓶／时间之钟／死之境界][单元剧][粤语无字幕][TVRIP-RMVB]类型：单元剧出品：香港TVB演员：周润发，刘嘉玲，吴孟达，吕良伟，罗兰，石修，甘国亮，叶德娴，黄杏秀，李司棋内容简介：幻海奇情为 TVB 七八十年代时的奇幻剧集.每个故事为 10分钟左右，共有 54 个独立的故事。虽说为奇幻故事，但都不是很的故事，有些更是属于谐趣的內容。这系列所吸引之处，就是有能看到很多现在为人熟识的演员早期在电视上的演出，也能看到香港七八十年代时的面貌。第一辑（演员：甘国亮，石修，吕良伟，吴孟达，周润发，刘嘉玲，罗兰）迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 四人归西、鬼妻、幽灵、谁是凶手、怪遇、错、报纸、兆、同事、第三身。第二辑（演员：阮兆辉，吴孟达，周润发，苗金凤，张德兰，骆应钓，戴志伟）迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 死之境界、归家、先兆、假戏真做、灵魂附身、自杀、鬼咁恨嫁、回魂夜、我返嚟啦、你死我活。第三辑（演员：李司棋， 叶德娴，周润发，黄杏秀）迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 重现、杀夫、楼上的人、8小时、游戏、长生不老、午夜电话、拆鬼、圆梦、时间之钟。第四辑（演员：关海山，罗兰，周秀兰，黄一飞）迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 凶眼、长窗、房客、名画、白鸽票、纹身、花瓶、有楼出租、倩影、毒誓。第五辑（演员：甘国亮，吴孟达，刘松仁，卢海鹏）迷离境界、阴森诡秘、疑幻疑真、触目惊心。十个奇幻故事包括 酒、蓝花瓶、母、裁缝、忍、片段、我是鬼、问米、幻海奇情、车祸。第六辑（演员：石修，吕良伟，黄杏秀，欧阳佩珊）迷离境界、阴森诡秘、疑幻疑真、触目惊心。四个奇幻故事包括 菲林幽魂、心魔、洋娃娃、影。《圆梦》 男子梦见自己跌进一空屋，醒后认为梦境与死去的父亲有关，于是根据父亲的旧照片寻找空屋。男子抵达空屋，见一少女，而少女样貌竟与父亲照片内的女子相同……《死之境界》 男子外出不幸遇上车祸，回家后母亲及众亲友异于平常，怪事自此不断出现，原来全部人早已死去....《兆》 男子遭先人报梦，著他注意一车牌号码1221；男子以为是彩号码，却原来是一单位门牌。在前往该单位途中，男子不幸遇害……《花瓶》 男子租住进新居，发现楼上单位空无一人，只有一神主牌，及后查询得知昔日楼上单位主人甚爱花瓶，并扬言死后也要保护其心爱花瓶。住客不信，故意移动之，并惹来杀生之祸。《报纸》 贫穷的丈夫每天都会收到未来一天的报纸，于是他依照报纸上的赛马结果去买马，发了横财；有天他看到报纸上写著自己会遇到意外丧命，而杀手却是....《第三身》 男子自从住院两星期后，出院后常常在街上碰见与他长的一模一样的人，最后他还牵涉入一场杀人案中；到底这是他的幻觉还是真有其事？他又会否被误认为杀人凶手呢？《怪遇》 男子拥有异赋，众人都奇怪他怎么能看透对方的想法；有天他前往找工作之时，竟然发现该公司经营非法勾当，故卷入了一场警匪追逐的旋涡....《运》 男子失业倒霉，街上四处游荡下找到一招聘广告，男子遂往见工并获雇用，却原来是一家鬼工厂，该公司多年前因火警全工厂工人遭烧死……《游戏》 男子占卦，被预言将有怪事发生，男子不以为意；其后男子与友人郊游，误进一神秘大屋，屋内空无一人，男子与友人更决定在此留宿一宵，自此怪事频生……《时间之钟》 男子在办公室经常遭到同事看扁。在一次机缘下男子得到了一个能令时间停顿的时钟，男子藉时钟进行报复，却不小心把时钟弄坏，男子从此得困在时间静止的世界里……《先兆》 一对夫妇因女儿遭色魔奸杀而死而终日不安，两人遂往问米，谁知当问米婆为他俩占算过后，即著二人离去，到底真凶是谁？最后又能否绳之于法？《重现》 会计周润发亏空公款，在乘电梯时被人发现，为了避免事情外露，会计杀人灭口。自此，会计终日疑神疑鬼，遂决定转工，可惜天网灰灰，会计最终也绳之于法。《珍珠饼》 太太有婚外情，一直希望离开丈夫。一次从新闻报导中得知一家饼店的珍珠饼有毒，太太便将计就计，将毒落在珍珠饼中供丈夫进食，并打算将罪名推落饼店……《鬼妻》 由罗浩楷及程可为主演。“妻死妻还在”，饰演鬼妻的程可为在一次交通意外中丧生，却念念不忘丈夫罗浩楷，誓要日夜相随......
主演：佐藤利奈,新井里美,伊藤加奈惠,丰崎爱生,寿美菜子
导演：神保昌登
简介：『#13' 炎天下の撮影モデルも楽じゃありませんわね。』が、2010年7月24日発売の『とある科学の超電磁砲 OFFICIAL VISUAL BOOK』付属DVDに収録された。テレビアニメ第1期第13話と平行したオリジナル短編エピソードである。
主演：宋晓峰,贾冰,于洋,蒋诗萌,方向,大兵,伊博,崔笛,赵博,赵雪,杨博,吴明轩,陈嘉男,苏连生,李雪,颜铮,王卓,大辉,小欧,心悦
导演：王紫萱
简介：《东北风云》系列喜剧短视频通过讲述一个个小人物的喜剧故事，从不同的侧面反映东北社会百态以及那些有血有肉、性格鲜明、天生逗比的东北人。孵化《东北风云》系列IP，打造最纯正的、接地气的东北喜剧。爆笑喜剧《东北风云》汇集了宋晓峰，贾冰，于洋，蒋诗萌，大兵，伊博等著名喜剧人，以“小日子”为出发点，讲述了峰哥和贾总各开了一家平事儿公司，两人在帮客户摆平各种难题时，却惹出一大堆令人捧腹的乌龙事件……
主演：野泽雅子
导演：上田芳裕(Yoshihiro,Ueda)
简介：人造人沙鲁战役过后，地球终于迎来了宝贵的和平，而骗子撒旦作为拯救了世界的英雄受到全人类的爱戴。世界首富钱多多为了给宝贝儿子庆生，出巨资举行了新一届的天下第一比武大会，成功晋级的选手有望和钱多多请来的四名所谓的外星人对决，最终获胜者还可以得到挑战撒旦的殊荣。此外，胜利者将得到一亿元奖金和环游世界的机会。超高的荣誉和报酬，连Z战士也坐不住了，纷纷报名参加。当然悟饭（野泽雅子 饰）、特兰克斯等人的出现，让撒旦心惊胆颤。一番较量过后，悟饭等人顺利晋级，但是等待他们的却是无比凶残和强大的宇宙人。意想不到的敌人，地球新的危机出现……
主演：刘文杰,木幡龙,姜潮,毕晓晨,王紫硕
导演：武健
简介：就在张霄(刘文杰 饰)事业最春风得意时，他的妻子陈心(王紫硕 饰)突然出走，并提出离婚，还传来一张与陌生男子(姜潮 饰)的亲吻合影为证。气愤的张霄想出了一个荒唐的办法：策划一个假绑架！自己再英雄救美，赢得美人心的同时还能给她个教训！他按照照片的定位来到了大连，找到了自称黑帮传人的日本“侠客”—彪桑(木幡龙 饰)，以及已故大力士“力王”的儿子—“大力”(毕晓晨 饰)。三人组成行动团伙，开始了想当然的“半岛行动”。行动中张霄才发现团队的各种不靠谱，经常把自己置于险境，状况不断，各种窘迫！但糟糕的行动中，爱情似乎又泛起了微光……
主演：宫野真守,花泽香菜,关智一,今井麻美,田村由香里
导演：佐藤卓哉,滨崎博嗣
简介：TOKYO MX重播的TV动画《命运石之门》（2015年）12月3日凌晨播出的第23话中改变情节，进入β世界线，凶真最终没能救活红莉栖，剧情进入了《命运石之门0》篇章。片尾彩蛋有《0》的主要角色、使用红莉栖头像的人工智能“阿玛迪斯”登场。新旧两版23集并非平行故事。新版是发生在旧版前夕的故事。 而《命运石之门0》和广播剧《无限远点的弧光灯β》是串连起这两集的关键作品。新版23集是《命运石之门0》的序曲，而《0》的结局是凶真给过去（2010年）的自己发短信、劝说当时的自己再次拯救红莉栖（这段内容在旧23集中也有提到），这才有了第24集第二次营救红莉栖的行动。《无限远点的弧光灯β》则解释了为什么在新23集中真由理阻止铃羽抽凶真一巴掌，却在旧23集中亲自抽了凶真。
主演：刘良
导演：林海燕
简介：由山东广播电视台出品的人物纪录片《刘良：中国首例新冠肺炎遗体解剖者》讲述了2020年初，在抗击新冠肺炎疫情中一位平凡而又耀眼的英雄——刘良的故事。刘良团队的解剖成果让这场“战疫”有了明确的作战方向。该纪录片题材重大，肩负着“向世界讲好中国抗疫故事”的使命，主角人物刘良自带光环，有家国情怀，使故事看点突出，引人入胜。其中，新冠肺炎遗体标本低温存放，以及纤支镜实验等影像都是首次对外披露。
主演：梶裕贵,日笠阳子,浅仓杏美,伊藤静,竹达彩奈,野岛健儿,内匠靖明,中国卓郎,高森奈津美,木村亚希子,小仓唯,石原夏织
导演：柳泽哲也
简介：BDDVD各巻收录的特典动画短片,内容尺度较大。巻数BDDVD発売日12012年3月21日22012年4月25日32012年5月23日42012年6月27日52012年7月25日62012年8月29日映像特典BDDVD各巻に収録の石 踏一榮完全監修の短編アニメ。話数サブタイトル1妄想爆揺解除オリジナルビデオVol.1 〜海水浴、行きます〜2妄想爆揺解除オリジナルビデオVol.2 〜朱乃先輩、個人修行ですわ〜3妄想爆揺解除オリジナルビデオVol.3 〜小猫、ちょっと大胆……にゃん〜4妄想爆揺解除オリジナルビデオVol.4 〜ドレスブレイク、誕生秘話〜5妄想爆揺解除オリジナルビデオVol.5 〜うどん、作ります!〜6妄想爆揺解除オリジナルビデオVol.6 〜アーシア、変身します!〜
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：内详
导演：三木俊一郎,樱井弘明
简介：故事发生在一所名叫第3新东京世立NERV学园中，校长是严肃又寡言的碇原度（立木文彦 配音）。作为校长的儿子，碇真嗣（绪方惠美 配音）感到压力很大。于此同时，来自外国的红发转学生明日香（宫村优子 配音），分裂成三个、以姐妹的形式出场的凌波丽（林原惠美 配音）都给碇真嗣的学校生活带来了翻天覆地的变化。此外，在原作中高大帅气的初号机，也将以娇小可爱的形象，作为学院的一份子出现在动画中。动画以《新世界福音战士》中的角色为原型，一改原作沉重严肃的气氛，描述了轻松愉快的校园生活。制作方首次采用了3D的Q版造型，配以实景背景和2D拼接，造就了多元化的绘画风格。
主演：内详
导演：Alan,Ituriel
简介：The show follows the misadventures of the infamous Black Hat, a vulgar and sharply dressed narcissistic inhuman fiend who does his part to make the world a little more vile and its heroes a little more dead. Aiding him (with varying degrees of consent) are his cohorts, meek scientist Dr. Flug, the neurotic and adorably failed bestial genetic experiment 5.0.5, and his biggest (and most violently deranged) fan-girl Demencia. Written by Cameron Iacono
主演：内详
导演：Paulo,Garcia,Natalia,Gouvea
简介：47, which recently garnered multiple awards at the 2024 Cannes Lions Festival of Creativity, tells the heartbreaking yet ultimately uplifting story of Robert, a boy with Down syndrome. Through exquisitely crafted puppetry and miniature sets, we watch Robert face constant rejection and exclusion, symbolised by a treacherous river voyage.All the way through, his mother's love, r...
主演：野泽雅子,古川登志夫,田中真弓,鹤广美,渡边菜生子,龙田直树,宫内幸平,内海贤二,八奈见乘儿,难波圭一,饭塚昭三,户谷公次,乡里大辅,堀之纪,里内信夫,绿川光,中尾岩雄,屋良有作
导演：橋本光雄(Mitsuo,Hashimoto)
简介：在一个平静的日子，一股充满邪恶气息的小星球向地球逼近。人们惶恐不安，唯恐行星撞上地球。孙悟空和克林联手向行星发出龟派气功，却起不到任何作用。行星与地球擦肩而过，却也造成巨大的灾难。这时，一艘巨大的宇宙飞船降临大地，来者自称史拉格大王，他声称要将地球纳入自己的统治范围，并将地球改造成一艘宇宙飞船。史拉格是一个那美克星人，由于自幼被恶魔收养，他的灵魂中充满了罪恶，完全没有那美克星人善良的本性存在。凭借神龙的帮助，苍老的史拉格恢复青春活力，魔力空前高涨。为了阻止史拉格的罪恶计划，龙珠战士和史拉格军团展开连番恶战……本片为《七龙珠》剧场版第七部。
主演：入野自由,牧野由依,稻田彻,浪川大辅,菊地美香,坂本真绫,大原沙耶香,津村真琴,三宅健太,中田让治,矢田稔,立壁和也,相泽正辉,原田正夫,梯笃司,杉山大,重松朋,白熊宽嗣,中村悠一
导演：川崎逸朗
简介：立志成为一名考古学者的小狼和古楼国的公主－樱从小青梅竹马。两人虽然互有爱意，但是谁都没有勇气开口。一天夜晚，樱落入了由于为了获得樱所拥有的改变世界的力量而设计陷害他的飞王的阴谋，而失去了全部的记忆。变成羽毛的记忆也飞到了各个时空中。为了拯救樱，小狼开始了通向异次元的行程...在次元魔女郁子的摩可拿的引导下,,小狼和小樱来到了鸟笼国 那里的人们和鸟类为伴和平共处......可是由于国王的暴政,,反叛者们对鸟类施以暴行 用不可思议的羽毛力量统治国家的国王 最终他所拥有的究竟是不是小樱的记忆呢
主演：内详
导演：沈乐平
简介：特别篇动画《秦时明月之罗生堂下》是独立于动画《秦时明月》正传剧情之外的短篇番外故事。该动画讲述少司命年纪轻轻就从阴阳家弟子成为了阴阳家五大长老之一的经历。
主演：能登麻美子,川澄绫子,竹内美优,斋藤千和,丰永利行,世户沙织,宫崎羽衣,门胁舞以,仲西环,下屋则子,松山鹰志,伊月由衣,进藤尚美,早水理沙,近藤隆
导演：大槻敦史
简介：在熏风高中上学的纯朴少年小山田耕太，迎来了来到城市后的第一个暑假。这也是和学园的园花、也是狐妖的源千鹤交往后的第一个夏天。浑身洋溢着轻松感的日子——耕太和千鹤，还有伙伴们，接下来将会有怎样一番经历呢？
主演：田中理惠,今井麻美,阿澄佳奈,佐藤利奈,堀江由衣,喜多村英梨,小仓唯,石原夏织,金井美香,植田佳奈,酒井香奈子,高桥智秋,相马康一
导演：向井雅浩,大岛博之
简介：《超次元游戏 海王星》TV动画于2013年7月12日~9月27日播放共12话，另于2014年10月16日在Animax播放新增1话，全13话。对TV动画重新构成的总集篇《超次元游戏 海王星 THE ANIMATION：Hi☆Light》全2话，分别于2020年10月28日、20 20年11月25日发售。新OVA1《超次元游戏 海王星 THE ANIMATION：涅普的暑假》于2019年7月8日在PlayStation Video配信，2020年12月25日发售。新OVA2《超次元游戏 海王星 THE ANIMATION：充满涅普涅普的感谢祭》于2021年12月15日在MiloQ 配信，2022年10月26日发售。新OVA3《超次元游戏 海王星 THE ANIMATION：沐浴阳光的紫茄子花》于2023年4月发售。
主演：Sari,Akasaka,Kyoko,Hanyu
导演：大林宣彦
简介：Experimental short film depicting the life, perhaps real, perhaps a dream, of a young girl named Emi. Emi travels to the city where she encounters her counterpart, Sari, and falls in love with...a vampire
主演：能登麻美子,川澄绫子,竹内美优,斋藤千和,丰永利行,世户沙织,宫崎羽衣,门胁舞以,仲西环,进藤尚美,早水理沙,下屋则子,松山鹰志
导演：大槻敦史
简介：在熏风高中上学的纯朴少年小山田耕太，迎来了来到城市后的第一个暑假。这也是和学园的园花、也是狐妖的源千鹤交往后的第一个夏天。浑身洋溢着轻松感的日子——耕太和千鹤，还有伙伴们，接下来将会有怎样一番经历呢？
主演：刘北辰,陈奕雯,杨垚
导演：沈乐平
简介：《秦时明月之帝子降兮》是中国动画《秦时明月》系列的手游特别篇。这是《秦时明月 Mobile》运营商北京触控科技有限公司与动画《秦时明月》出品方杭州玄机科技信息技术有限公司的首次动画形式的合作。官方描述：“该片较以往几部《秦时明月》系列动画，不仅在剧情上独具看点，整个画面、气氛和叙事风格都做出了大胆挑战，将带给秦迷们全新的感受。尽管属于番外特别篇，但玄机团队依然运用了动画第五部《秦时明月之君临天下》中的技术，并且对技术的运用进行了更为深入和大胆的尝试，使画面的细腻程度和角色的逼真程度都毫不逊色于动画第五部，处处可见亮点，剧情上更将呈现惊喜，同时还将揭晓正片中的一个重要秘密。”
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